Skip Navigation

Havana Corona

Robert Colescott

Contemporary Art

On View:

In the late sixties I was thinking about the triumph of the Cuban people over imperialism and U.S. dominance—the effort is here "crowned" (Corona). But Corona is also a famous cigar from Havana that is desired (and now missed) by affluent Yankees—so struggle, victory, and contradictions are part of the idea. I was working my way out of a more lyrical and abstract view of figuration at the time toward a more socially-politically oriented idiom, hoping to find a way to maintain a formally strong image. . . . This painting is in transition. . . . The form is evolving toward artistic and social relevancy. The painting has particular interest to me since it straddles these objectives and balances precariously, one foot in each world.
-Robert Colescott (1992)

MEDIUM Acrylic on canvas
DATES 1970
DIMENSIONS 78 1/2 × 59 in. (199.4 × 149.9 cm) frame: 79 × 59 3/4 × 2 1/2 in. (200.7 × 151.8 × 6.4 cm)  (show scale)
SIGNATURE Signed upper left: "R Colescott"
COLLECTIONS Contemporary Art
ACCESSION NUMBER 1991.270
CREDIT LINE Gift of Brooke and Carolyn Alexander
MUSEUM LOCATION This item is not on view
CAPTION Robert Colescott (American, 1925–2009). Havana Corona, 1970. Acrylic on canvas, 78 1/2 × 59 in. (199.4 × 149.9 cm). Brooklyn Museum, Gift of Brooke and Carolyn Alexander, 1991.270. © artist or artist's estate (Photo: Brooklyn Museum, 1991.270_SL1.jpg)
IMAGE overall, 1991.270_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT © artist or artist's estate
Copyright for this work may be controlled by the artist, the artist's estate, or other rights holders. A more detailed analysis of its rights history may, however, place it in the public domain. The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.