Sweetmeat Dish
Decorative Arts and Design
On View: American Art Galleries, 5th Floor, Radical Care
American China Manufactory objects are the oldest American-made porcelain, and extremely rare. Because England viewed the colonies as a market for its exports, it discouraged manufacturing. In the 1760s, however, when Americans were boycotting English luxury goods, Gouse Bonnin and George Anthony Morris, founders of the American China Manufactory, were among the first colonists to establish a porcelain factory. Although they succeeded in producing close imitations of English wares, Bonnin and Morris closed their factory after only two years, owing to the resumption of trade with England in 1770 and the difficulties inherent in the startup of a new enterprise.
MEDIUM
Soft-paste porcelain, underglaze
DATES
1770–1772
DIMENSIONS
5 1/4 x 7 1/4 x 7 1/4 in. (13.3 x 18.4 x 18.4 cm)
(show scale)
MARKINGS
Marked on base: "P" in under glaze blue
ACCESSION NUMBER
45.174
CREDIT LINE
Museum Collection Fund
PROVENANCE
Prior to 1945, provenance not yet documented; by 1945, acquired by Ginsburg & Levy, Inc., New York, NY; 1945, purchased from Ginsburg & Levy by the Brooklyn Museum.
Provenance FAQ
CATALOGUE DESCRIPTION
Sweetmeat dish, white earthenware, composed of three half shells attached to a central rusticated stem surmounted by a circular shell of smaller size; three short peg feet support the base. Many small shells and bits of coral are encrusted on a central stem; a hand painted design of flowers, wheat and insects in underglaze zaffer blue compose the decoration, the shells are accented in the same blue.
Condition: slightly nicked.
CAPTION
Gousse Bonnin. Sweetmeat Dish, 1770–1772. Soft-paste porcelain, underglaze, 5 1/4 x 7 1/4 x 7 1/4 in. (13.3 x 18.4 x 18.4 cm). Brooklyn Museum, Museum Collection Fund, 45.174. Creative Commons-BY (Photo: Brooklyn Museum, 45.174_reference_SL1.jpg)
IMAGE
overall, 45.174_reference_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
Creative Commons-BY
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a
Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online
application form (charges apply).
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.
Do you know approximately how many other sweetmeat dishes there are remaining by American China Manufactory? It is crazy the company was only around for two years!
Porcelain created by American China Manufactory is extremely rare; less than two dozen pieces are known to exist! Around five of these are tiered sweetmeat dishes like this (sometimes called pickle dishes) and a few others are more simple, single pickle dishes. The American China Manufactory filled a gap in the market during a period when colonial American audiences could not acquire Chinese porcelain due to trade regulations. Once trade resumed, audiences vastly preferred the imported Chinese porcelains.
It's wonderful that we have examples of their work left!
I've just read Chernow's Hamilton biography and in it, he covers the fact that many imports still came in from Europe - even porcelain. They highlight the fact that the ordering of porcelain took many weeks longer to arrive in the United States than other cargo from Europe. I'm wondering if it's because the English ordered from China and controlled supplies to America?
That's absolutely true. America was incredibly reliant on Britain for manufactured goods, and throughout the 18th and 19th century they were our biggest trading partner. Prior to the revolution, Chinese imports to America were mediated by British traders. But also, England was a major manufacturer of ceramics themselves. If you are on the fifth floor, we have some really early and rare examples of American porcelain dating to the colonial period! Only a few pieces of these exist in the world. Unfortunately, fledgling American companies struggled to compete with the influx of English and Chinese ceramics.