The Legend of Santa Sophronia
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Object Label
The enormous number of paintings acquired by private collectors in colonial Spanish America is borne out by evidence in testamentary, dowry, and other documents of the period. From urban centers to frontier areas, paintings by European and New World artists depicting religious and secular subjects decorated the homes of Creole, peninsular Spanish, mestizo (people of mixed race), and indigenous men and women.
The five Andean paintings on this wall were produced for a growing art market by anonymous artists in the workshops of Cuzco. Paintings of religious subjects were prevalent in Spanish America but uncommon in colonial British America; one exception was the New York scripture paintings made for Upper Hudson and Mohawk Valley Dutch families (see illustration).
Elite Spanish American homes also displayed Spanish and Flemish paintings, which annually traveled to the New World by way of Spanish ships and were marketed by merchants throughout Spanish America.
Caption
Cuzco School. The Legend of Santa Sophronia, late 17th century. Oil on canvas, 21 x 87in. (53.3 x 221cm) frame: 23 7/16 x 89 5/8 x 2 3/8 in. (59.5 x 227.6 x 6 cm). Brooklyn Museum, Frank L. Babbott Fund, Frank Sherman Benson Fund, Carll H. de Silver Fund, A. Augustus Healy Fund, Caroline A.L. Pratt Fund, Charles Stewart Smith Memorial Fund, and Ella C. Woodward Memorial Fund, 48.206.88. (Photo: Brooklyn Museum)
Artist
Title
The Legend of Santa Sophronia
Date
late 17th century
Period
Colonial Period
Geography
Place made: Cuzco, Peru
Medium
Oil on canvas
Classification
Dimensions
21 x 87in. (53.3 x 221cm) frame: 23 7/16 x 89 5/8 x 2 3/8 in. (59.5 x 227.6 x 6 cm)
Inscriptions
Inscribed on tree at right: "SOPHRO/NIA"
Credit Line
Frank L. Babbott Fund, Frank Sherman Benson Fund, Carll H. de Silver Fund, A. Augustus Healy Fund, Caroline A.L. Pratt Fund, Charles Stewart Smith Memorial Fund, and Ella C. Woodward Memorial Fund
Accession Number
48.206.88
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