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Collection: European Art

HIGHLIGHTS

FULL COLLECTION

Madonna and Child Enthroned with Saints Zenobius, John the Baptist, Reparata and John the Evangelist Christ Blessing Behold the Man (Ecce Homo) Saint Luke (Saint Luc) The Voice from on High (La voix den haut) The Scourging on the Front (La flagellation de face) The Cock Crowed (Le coq chanta) The False Witnesses (Les faux témoins) The Last Supper: Judas Dipping his Hand in the Dish (La Céne. Judas met la main dans le plat) Pilate Washes His Hands (Pilate se lave les mains) The Grotto of the Agony (La Grotte de lagonie) Panther Seizing a Stag (Panthère saisissant un cerf) You Could Not Watch One Hour With Me (Vous navez pu veiller une heure avec moi) The Holy Face (La sainte face) Jesus Before Pilate, First Interview (Jésus devant Pilate. Premier entretien). The Magnificat (Le magnificat) The Angel and the Shepherds  (Lange et les bergers) The First Nail (Le premier clou) The Prophecy of the Destruction of the Temple (La prédication de la ruine du Temple) Judas Hangs Himself (Judas se pend) Jesus Falls Beneath the Cross (Jésus tombe sous la Croix) Saint Joseph The Widows Mite (Le denier de la veuve) Judas Leaves the Cenacle (Judas quitte le Cénacle) The Bridge of Kedron (Le pont de Cédron) The Foolish Virgins (Les vierges folles) The Holy Women Watch from Afar (Les saintes femmes observent de loin) Portrait of a Lady Portrait of a Man, said to be Théodore de Bèze Portfolio cover for "Krieg" series Danseuse aux cymbales

COLLECTION HISTORY

Our collection of European art comprises approximately 6,600 objects. In addition to over 600 paintings and almost 5,600 works on paper, the collection also includes more than 100 Spanish colonial pictures and approximately 300 sculptures. Within those total numbers, important sub-collections include over 400 works on paper by James Tissot, devoted to The Life of Jesus Christ and acquired by public subscription in 1900; a comprehensive group of German Expressionist prints; an excellent example of Pablo Picasso's Minotauromachia; a lifetime printing of Francisco de Goya y Lucientes' Caprichos in its original binding; over 100 sculptures by Antoine-Louis Barye; and more than sixty sculptures by Auguste Rodin, most of them gifts of Iris and B. Gerald Cantor.

The two core areas of the painting collection are the Italian and Northern Schools before 1800; and French painting, together with other Continental schools, of the nineteenth and early twentieth centuries. The collection of early Renaissance Italian paintings, largely formed at the turn of the twentieth century and bequeathed to the Museum by Frank L. Babbott and his heirs, is a significant concentration of panels, most of them small and of excellent quality, known internationally to scholars in the field. To this already notable collection the Museum added Nardo di Cione's majestic Madonna and Child Enthroned with Saints in 1995 and its long-lost pinnacle of Christ Blessing in 2000—an altarpiece universally regarded as among the most important fourteenth-century paintings in America.

French paintings constitute the great strength of the nineteenth-century collections. Important movements in the second half of the century are represented by impressive holdings of Barbizon pictures, and by a number of works by the most notable Impressionists—including Claude Monet, Edgar Degas, Camille Pissarro, Paul Cézanne, and Berthe Morisot—many of which were among the first works of their kind in American public collections. In addition, we have an interesting selection of Salon paintings, put on view periodically to demonstrate various trends in late eighteenth- and nineteenth-century academic taste. Inspired by the exhibition In the Light of Italy: Corot and Early Open-Air Painting, organized by the Brooklyn Museum (with the National Gallery of Art) in 1996–97, an impressive collection of landscape sketches that covers the chronological span of the subject, from the late eighteenth to the early twentieth centuries, has been assembled.

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