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Collection: European Art



The Ray The Parents (Die Eltern) Bust of a Working Woman in a Blue Shawl (Brustbild einer Arbeiterfrau mit blauem Tuch) Dancer at Rest, Hands Behind Her Back, Right Leg Forward (Danseuse au repos, les mains sur les hanches, jambe droite en avant, première étude) Balzac in a Monks Habit (Balzac en robe de moine) The Age of Bronze, medium-sized model, first reduction (LAge dairain, première réduction) Woman by a Riverbank Nude Standing in Profile (Nu debout en profil) Portrait of W. S. Davenport Ville dAvray The Little Cook (La Petite cuisinière) The Regatta (Les Régates) Woman in an Armchair (Femme au fauteuil) Flowers (Fleurs) Breton Peasant Woman Holding a Taper The Critic Portrait of a Man (Portrait dhomme) The Philosopher (Le Philosophe) Still Life, Gladiolas Jacob Wrestling with the Angel (La Lutte de Jacob avec lAnge) The Elder Sister, reduction (La soeur aînée, réduction) The Height of the Season Nude Woman Drying Herself (Femme au Tub) Young Women of Sparta (Jeunes filles de Sparte) The Carpet Merchant of Cairo Fish Portrait of Mme Boursier and Her Daughter (Portrait de Mme Boursier et de sa fille) The Beach at Trouville (Trouville, La Plage) Le Havre, The Port (Le Havre, Le Port) Portrait of Madame Léon Maître (Portrait de Madame Léon Maître) Model Washing Her Hair Dordrecht, the Grote Kerk from the Canal


Our collection of European art comprises approximately 6,600 objects. In addition to over 600 paintings and almost 5,600 works on paper, the collection also includes more than 100 Spanish colonial pictures and approximately 300 sculptures. Within those total numbers, important sub-collections include over 400 works on paper by James Tissot, devoted to The Life of Jesus Christ and acquired by public subscription in 1900; a comprehensive group of German Expressionist prints; an excellent example of Pablo Picasso's Minotauromachia; a lifetime printing of Francisco de Goya y Lucientes' Caprichos in its original binding; over 100 sculptures by Antoine-Louis Barye; and more than sixty sculptures by Auguste Rodin, most of them gifts of Iris and B. Gerald Cantor.

The two core areas of the painting collection are the Italian and Northern Schools before 1800; and French painting, together with other Continental schools, of the nineteenth and early twentieth centuries. The collection of early Renaissance Italian paintings, largely formed at the turn of the twentieth century and bequeathed to the Museum by Frank L. Babbott and his heirs, is a significant concentration of panels, most of them small and of excellent quality, known internationally to scholars in the field. To this already notable collection the Museum added Nardo di Cione's majestic Madonna and Child Enthroned with Saints in 1995 and its long-lost pinnacle of Christ Blessing in 2000—an altarpiece universally regarded as among the most important fourteenth-century paintings in America.

French paintings constitute the great strength of the nineteenth-century collections. Important movements in the second half of the century are represented by impressive holdings of Barbizon pictures, and by a number of works by the most notable Impressionists—including Claude Monet, Edgar Degas, Camille Pissarro, Paul Cézanne, and Berthe Morisot—many of which were among the first works of their kind in American public collections. In addition, we have an interesting selection of Salon paintings, put on view periodically to demonstrate various trends in late eighteenth- and nineteenth-century academic taste. Inspired by the exhibition In the Light of Italy: Corot and Early Open-Air Painting, organized by the Brooklyn Museum (with the National Gallery of Art) in 1996–97, an impressive collection of landscape sketches that covers the chronological span of the subject, from the late eighteenth to the early twentieth centuries, has been assembled.