The Carpenter's Shop in Nazareth
Religious paintings in private chapels often had both didactic and devotional purposes. From the sixteenth century, missionaries intent on imposing Catholic doctrine and Christian morality on native people promoted domestic scenes of the Holy Family such as The Carpenter’s Shop in Nazareth as models for proper family conduct. An oratory would also have been an apt location for a painting such as the Christ Child with Passion Symbols, whose emblematic elements made it particularly suitable for devotion.
Las pinturas religiosas en las capillas privadas a menudo tenían objetivos tanto didácticos como piadosos. Desde el siglo XVI, la resolución de los misioneros de imponer la doctrina católica y la moralidad cristiana a los nativos estimuló el uso de escenas domésticas de la Sagrada Familia, tales como El Taller de Carpintero en Nazaret, como modelos apropiados de conducta familiar. El oratorio hubiese sido también una ubicación apropiada para una pintura como la del Cristo Niño con los Símbolos de la Pasión, cuyos elementos emblemáticos lo hacían particularmente conveniente como objeto de devoción.
Oil on canvas
late 18th century
29 5/8 x 31 7/8in. (75.2 x 81cm)
frame: 37 1/4 x 39 x 2 1/2 in. (94.6 x 99.1 x 6.4 cm) (show scale)
Frank L. Babbott Fund
This item is not on view
Unknown. The Carpenter's Shop in Nazareth, late 18th century. Oil on canvas, 29 5/8 x 31 7/8in. (75.2 x 81cm). Brooklyn Museum, Frank L. Babbott Fund, 43.112 (Photo: Brooklyn Museum, 43.112_PS6.jpg)
overall, 43.112_PS6.jpg. Brooklyn Museum photograph, 2013
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.