Tefnut as a Lioness
Egyptian, Classical, Ancient Near Eastern Art
The Egyptians represented the relationship between sky and earth by showing the body of Nut rising in a majestic arc over the figure of the dark, fecund earth god, Geb. To prevent them from further sexual union after the birth of Osiris, Isis, Seth, and Nephthys, they were separated eternally by Shu, the god of air.
Shu represented the eternal patterns of change the ancient Egyptians associated with cyclical time (neheh). His sister, the leonine goddess Tefnut, was related to the eternal sameness of linear time (djet).
Tefnut, shown here as a lioness, had many different aspects. Among her most significant was the "Eye of Re" an aspect of the sun that could be either beneficial or damaging.
ca. 664-332 B.C.E.
XXVI Dynasty-XXXI Dynasty
13/16 x 5/8 x 1 9/16 in. (2 x 1.6 x 3.9 cm) (show scale)
This item is not on view
Charles Edwin Wilbour Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Tefnut as a Lioness, ca. 664-332 B.C.E. Faience, 13/16 x 5/8 x 1 9/16 in. (2 x 1.6 x 3.9 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 05.364. Creative Commons-BY
installation, West Wing gallery A-1 installation, CUR.05.364_wwgA-1.jpg
. Brooklyn Museum photograph, 2005
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.