Kohl Jar with Lid
Egyptian, Classical, Ancient Near Eastern Art
On View: Egyptian Orientation Gallery, 3rd Floor
Eye makeup has been used for millennia.
Ancient Egyptian men and women used a dark substance called kohl as eye makeup for nearly four thousand years, from the Predynastic Period until the Roman occupation in the fourth century c.e. Kohl emphasized the eyes, reduced sun glare, and repelled flies. The common presence of kohl containers in burials indicates that the Egyptians believed these concerns would continue in the afterlife.
ca. 1539-1292 B.C.E.
Gift of the Egypt Exploration Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Kohl Jar with Lid, ca. 1539-1292 B.C.E. Faience, 1 3/4 x 1 7/8 in. (4.5 x 4.8 cm). Brooklyn Museum, Gift of the Egypt Exploration Fund, 14.609a-b. Creative Commons-BY (Photo: Brooklyn Museum, 14.609a-b_PS4.jpg)
overall, 14.609a-b_PS4.jpg. Brooklyn Museum photograph, 2016
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.