<em>Princess Sobeknakht Suckling a Prince</em>, ca. 1700-after 1630 B.C.E. Copper alloy, 4 x 2 3/4 x 3 1/4 in. (10.2 x 7 x 8.3 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 43.137. Creative Commons-BY (Photo: Brooklyn Museum, 43.137_SL1.jpg)

Princess Sobeknakht Suckling a Prince, ca. 1700-after 1630 B.C.E. Copper alloy, 4 x 2 3/4 x 3 1/4 in. (10.2 x 7 x 8.3 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 43.137. Creative Commons-BY (Photo: Brooklyn Museum, 43.137_SL1.jpg)

DOWNLOAD

Download our app and ask your own questions during your visit. Here are some that others have asked.

Can you provide info on the Princess Sobeknakht Suckling a Prince?

Sure! Princesses, the daughters of the pharaoh and his primary wife, the queen, were very important members of royal families. Though the pharaoh may have had children with many wives, the children of the union with the queen held great significance. Even though Sobeknakht had an almost negligible change of becoming king, her son would have been a prominent heir to the throne simply by virtue of being her son.

It is also worth mentioning that, many pharaohs tended to pay tribute to their mothers during their reign.

So, something like a mother and child portrait, with significant meaning?

Exactly!

I think I just found my new favorite. Thanks again!

Scaled down adult body vs. Child body and scale. Why the difference?

Child body and scale

That's a great question! A big reason for the difference is that at the time the sculpture of Ankhnes-meryre and Pepy II was made, Pepy II was already the king. Sobeknakht could be seen as nursing a future king, but he was not the king yet. Pepy II ascended to the throne at a very young age and therefore the previous queen (his mother) served as his regent, until he reached adulthood. Basically, it's a much more formalized statue whereas the figurine of Sobeknakht is more about her in the act of nursing. You may notice that Ankhnes-meryre and Pepy are depicted at a 90 degree angle to one another so you can view each figure frontally.

I see, that makes sense. They're more static, not in action, in an idealized pose. Thank you!

Were these sculptures made with the lost wax technique?

We believe that they were! It's always amazing when bronze survives from the ancient world because it is very sensitive to moisture. Egypt's dry climate is a big help!

Ok, but the explanation said they were copper, so I was wondering if they used copper like bronze in foundry’s.

Yes! Copper can be cast in a very similar way. In fact, copper was mixed with different metals at different ratios in the ancient world. "Bronze" wasn't as defined as it is today.

Thanks, makes sense.

Is there any significance regarding public breast feeding at this time or is this a common practice?

I wouldn't quite describe it as "public" breast feeding, but there is definitely a significance to imagery of a woman (especially a royal woman) breast feeding!

Princesses, the daughters of kings and their primary queens, were very important in the ancient Egyptian royal lineage. Being the son of a princess or married to a princess was a common way to ensure a king's legitimacy.

Therefore, Sobeknakht would have hoped for a son, and conversely, her son would have wanted to honor her as his mother.

Princess Sobeknakht Suckling a Prince

Egyptian, Classical, Ancient Near Eastern Art

On View: Old Kingdom to 18th Dynasty, Egyptian Galleries, 3rd Floor

Beginning in the Middle Kingdom, craftsmen demonstrated great skill in designing and manufacturing metal statuary. This copper statuette, representing a woman suckling a male child, is considered among the finest of these sculptures. The inscription on the base identifies the subject as the "hereditary noblewoman" Sobeknakht; her fillet and uraeus-cobra show that she is a princess. The figure may have been commissioned to celebrate the birth of a prince, to signal a reigning king's devotion to his mother, or to reflect Sobeknakht's wish for divine help in conceiving a child who would become Egypt's king.

MEDIUM Copper alloy

Place Made: Egypt

DATES ca. 1700-after 1630 B.C.E.

DYNASTY Dynasty 13

PERIOD Middle Kingdom to Second Intermediate Period

DIMENSIONS 4 x 2 3/4 x 3 1/4 in. (10.2 x 7 x 8.3 cm) (show scale)

COLLECTIONS Egyptian, Classical, Ancient Near Eastern Art

ACCESSION NUMBER 43.137

CREDIT LINE Charles Edwin Wilbour Fund

PROVENANCE Archaeological provenance not yet documented; by 1911, acquired by Octave Borelli Bey of Egypt and France; between 1911 and 1927, provenance not yet documented; by 1927, acquired by Alphonse Kann of Paris, France; January 6, 1927, sold at the American Art Galleries, “The Alphonse Kann collection”, lot 54; between 1927 and 1943, provenance not yet documented; by 1943, acquired by the Brummer Gallery, New York, NY; 1943, purchased from the Brummer Gallery by the Brooklyn Museum.

Provenance FAQ

CATALOGUE DESCRIPTION Copper figurine of seated woman suckling child. The woman clad in a short garment sits on the ground with the left knee raised and the right leg folded under her with foot protruding from in back of the left ankle. She holds a nude child to the right breast. The base consists of a thin, bronze placque, on the front of which is scratched an inscription, which seems to read: AbC. T’t s’bk-nht m 3 ‘t-h2w “the Princess Sebek-nakht, the justified.” Condition: Tip of nose slightly rubbed.

EXHIBITIONS

MUSEUM LOCATION This item is on view in Old Kingdom to 18th Dynasty, Egyptian Galleries, 3rd Floor

CAPTION Princess Sobeknakht Suckling a Prince, ca. 1700-after 1630 B.C.E. Copper alloy, 4 x 2 3/4 x 3 1/4 in. (10.2 x 7 x 8.3 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 43.137. Creative Commons-BY (Photo: Brooklyn Museum, 43.137_SL1.jpg)

IMAGE overall, 43.137_SL1.jpg. Brooklyn Museum photograph

"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.

RIGHTS STATEMENT Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

RECORD COMPLETENESS

Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.