Seated Statuette of Si-Hathor
Egyptian, Classical, Ancient Near Eastern Art
This statuette combines the seated image of the deceased with the base where the inscription would normally be carved. Here, the artist carved the offering prayer directly onto Si-Hathor’s garment, a solution that saved on the amount of stone to be purchased.
ca. 1818-1630 B.C.E.
late XII Dynasty-early XIII Dynasty
10 1/4 x 6 x 7 5/8 in. (26 x 15.2 x 19.4 cm)
This item is not on view
Charles Edwin Wilbour Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Seated Statuette of Si-Hathor, ca. 1818-1630 B.C.E. Limestone, pigment, 10 1/4 x 6 x 7 5/8 in. (26 x 15.2 x 19.4 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 37.97E. Creative Commons-BY (Photo: Brooklyn Museum, 37.97E_front_PS2.jpg)
front, 37.97E_front_PS2.jpg. Brooklyn Museum photograph, 2006
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Limestone statue of a man named Sa-Hathor represented squatting, on a round-backed base. He wears a long skirt which envelops his legs. This statue has been described as a “scribe” statue. On the portion of the skirt covering the lap and between the two hands which rest palms down on the thighs is an inscription. The figure wears a heavy wig once painted black. Black also are the base and the details of the eyes; the skin is reddish brown; the garment is white. Within the plain-incised signs of the inscription are the remains of blue frit inlays. The eyebrows are modelled and not in relief; the eyebrows are also somewhat arched, and the eyes are heavily outlined in black. The nipples are executed in relief. The head is titled slightly upwards.
Inscription on Skirt:
Ns’w di htp Skr-Ws;r ntr ‘; nb ;bdw di.f prt-hrw t hnkt ihw ;pdw n k; n im;hy S;-Hthr iri n ‘nhw msi n ddt-nbw
Condition: Base chipped on right side; superficial chips from body and hands. Paint well-preserved on entire body except top of wig and left arm.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.