Isolated Rock (Le Rocher isolé)
On View: Beaux-Arts Court, South, 3rd Floor
Gustave Courbet painted Isolated Rock about the time he opened a studio in Paris to forty students, possibly including Oller. Courbet was a democratic rather than authoritarian teacher who promoted a conscientious approach to painting “one’s own time and place.” Oller never adopted the master’s unorthodox painting methods—Courbet painted Isolated Rock with a palette knife—but he embraced the older artist’s interest in closely observing all aspects of modern life.
Oller occasionally registered as a disciple of Courbet at the annual Paris Salon exhibitions, appearing in accompanying exhibition catalogues as the master’s “élève,” or student.
Gustave Courbet pintó La roca aislada alrededor del mismo tiempo en que abrió su taller en París para cuarenta estudiantes, entre los cuales posiblemente se encontraba Oller. Courbet era un maestro democrático más que autoritario, quien promovía un acercamiento concienzudo a pintar “el tiempo y lugar de uno”. Oller nunca adoptó los métodos no ortodoxos de pintura del maestro (Courbet pintó La roca aislada con un cuchillo de paleta) pero sí adoptó el interés del pintor mayor de observar de cerca todos los aspectos de la vida moderna.
Oller ocasionalmente se inscribía como discípulo de Courbet durante las exposiciones anuales del Salón de París, apareciendo en catálogos de la exposición como el “élève”, o estudiante, del maestro.
Oil on canvas
25 1/2 x 32 in. (64.8 x 81.3 cm)
frame: 33 1/8 x 39 5/8 x 2 3/4 in. (84.1 x 100.6 x 7 cm) (show scale)
Signed lower left: "G. Courbet."
Gift of Mrs. Horace O. Havemeyer
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Gustave Courbet (French, 1819-1877). Isolated Rock (Le Rocher isolé), ca. 1862. Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm). Brooklyn Museum, Gift of Mrs. Horace O. Havemeyer, 41.1258 (Photo: Brooklyn Museum, 41.1258_SL1.jpg)
overall, 41.1258_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.