Hiroko Okada (Japanese, born 1970). Future Plan #2, 2003. Chromogenic photograph, 54 13/16 x 35 1/8 in. (139.2 x 89.2 cm). Brooklyn Museum, Gift of the artist and Robert A. Levinson Fund, 2008.25. © Hiroko Okada

Clear Choices in Tagging

Remember my post on Social Change? We’ve been evaluating our digital projects with a careful eye toward what’s working and what isn’t.  At this juncture,…

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The nicest error page we hope you never see.

Cloud Watching

A few years ago we moved away from hosting our website infrastructure from its dusty basement to the Cloud. This brought a certain peace of…

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Material at The Commons on Flickr has been moved to Wikimedia and seeded into appropriate articles, such as the Paris Exposition of 1900.

Social Change

There comes a moment in every trajectory where one has to change course.  As part of a social media strategic plan, we are changing gears…

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Robert Nardi photographing Senwosret III

How about a nice game of 3D printed chess?

Earlier this year, we started exploring how 3D printing could enhance the visitor experience and began by introducing it on that month’s sensory tour. In…

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Brooklyn Castle

For the past few years, we’ve been really fortunate to have a relationship with POV, the award-winning documentary series on PBS. They do really thought-provoking…

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The Dinner Party (Heritage Floor; detail)

Writing Women Back Into History

As I embarked on The Dinner Party Wikipedia project, my first step was to conduct a thorough assessment of the presence of these 1,038 women…

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Saul Bolton in front of the Brooklyn Museum.

Welcome Saul at the Brooklyn Museum

I am just delighted to announce the wonderful news that this fall, Brooklyn’s acclaimed Michelin star restaurant, Saul, will move from its current location in…

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The Dinner Party

Ending the ongoing cycle of omission

The conversation about sexism on Wikipedia is longstanding. In 2011, The New York Times Room for Debate took up the question of why there are…

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Figure of a Hornblower

“Africanizing” Wikipedia

As I’ve been leading the current Wikipedia initiative at the Brooklyn Museum, I have recently started working with our curator of African Art, Kevin Dumouchelle,…

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Latoya Ruby Frazier Interview PDF

A Conversation With Artist LaToya Ruby Frazier

One of the best parts of working in contemporary art is that we often work closely with artists, and are able to build relationships over…

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WikiAfrica logo

Collaborating with WikiAfrica

In September 2012, a representative from WikiAfrica approached us about working with them to provide Africa-related content to the Wikimedia Foundation’s websites. As the WikiAfrica profile…

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Wikipedia logo

Adding Our Voice to the Wikipedia Chorus

Our online collections have a relatively small number of visitors compared to the whopping 470 million unique visitors to Wikipedia each month. Every day, hundreds…

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In Conversation iPad Kiosk

Moving Toward a Conversation

If you’ve ever heard me speak at conferences you know that one of our most successful technology projects is also one of our simplest—the comment…

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Arts of the Islamic World gallery

The Reinstallation of the Asian and Arts of the Islamic World Galleries

If you’ve visited the second floor of the Museum recently, you may have noticed that it looks considerably more bare than normal. Big changes are…

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George Grosz (American, born Germany, 1893-1959). For German Right and German Morals (Für Deutsches Recht und Deutsche Sitte), 1919. Lithograph, Sheet: 25 1/16 x 18 5/8 in. (63.7 x 47.3 cm). Brooklyn Museum, Gift of Dr. F. H. Hirschland, 55.165.143

George Grosz, Otto Dix and World War I

In my last post, I highlighted several of the many prints in the Brooklyn Museum’s collection that, like those now on view in the Käthe…

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