Thoth with Wadjet-eye
Egyptian, Classical, Ancient Near Eastern Art
The most common amulet is the eye of Horus, a human eye with the markings of a falcon's face. Mythology was central to ancient Egyptian magic, and this image is based on the myth of the destruction of one of the falcon-headed god Horus's eyes by the god Seth and its restoration to wholeness (wedja) by the god Thoth, a great magician, The wedjat-eye represented both wellbeing and the constantly renewed victory of the positive forces of the universe over evil or destructive forces.
Dynasty 26, or later
Late Period to Ptolemaic Period
1 5/8 x 3/4 x 7/8 in. (4.1 x 1.9 x 2.2 cm) (show scale)
This item is not on view
Charles Edwin Wilbour Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Thoth with Wadjet-eye, 664-30 B.C.E. Faience, 1 5/8 x 3/4 x 7/8 in. (4.1 x 1.9 x 2.2 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 08.480.80. Creative Commons-BY (Photo: Brooklyn Museum, CUR.08.480.80_emagic.jpg)
installation, Egyptian Magic Installation (2008), CUR.08.480.80_emagic.jpg
. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.