Egyptian, Classical, Ancient Near Eastern Art
On View: Great Hall, Southwest, 1st floor
Placing an image of a hippo in the tomb was believed to provide powerful protection for the spirit of the deceased. At the same time, hippos evoke chaotic forces because of the danger they pose to humans as wild animals in this world. For this reason, Egyptians often snapped off the legs of hippopotamus statuettes before placing them in tombs. The broken stumps of the statuette’s legs demonstrate how bright blue glaze adhered to the white faience.
ca. 1938-1539 B.C.E.
XII Dynasty-XVII Dynasty
Middle Kingdom to Second Intermediate Period
3 × 2 1/4 × 4 1/2 in. (7.6 × 5.7 × 11.4 cm) (show scale)
Charles Edwin Wilbour Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Hippo, ca. 1938-1539 B.C.E. Faience, 3 × 2 1/4 × 4 1/2 in. (7.6 × 5.7 × 11.4 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 35.1276. Creative Commons-BY (Photo: Brooklyn Museum, CUR.35.1276_view1_erg2.jpg)
. Brooklyn Museum photograph, 10/27/2008
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.