Egyptian, Classical, Ancient Near Eastern Art
On View: Funerary Gallery 2, Martha A. and Robert S. Rubin Gallery, 3rd Floor
Living persons wore only one or a few amulets at a time, but mummies usually bear many amulets. The Ma’at amulet (no. 2) and heart scarabs (nos. 1, 3, 11), which occurred in many forms, guaranteed a successful judgment of the dead. The amulets of a hand (no. 8), lungs and a windpipe (no. 12), and wadjet-eyes (i.e., “healthy” eyes; no. 4) protected those parts of the body and also had connotations of resurrection and the unity or integrity of the mummy. The enigmatic aper amulet (no. 13) takes the form of the hieroglyph meaning “to be equipped,” perhaps in reference to the mummy’s preparation. The two crowns (nos. 5, 6) were symbols of power. The Heh insignia (no. 7), like the popular ankh-sign, denoted eternal life. Among the living, the frog (no. 9) and possibly also the hare (no. 10) suggested fertility. The amulets of the Four Sons of Horus (no. 15) perhaps served, as they did with canopic jars, to protect various organs of the body.
Dynasty 18 to Dynasty 20
1/2 x 1 1/16 x 1 5/16 in. (1.2 x 2.7 x 3.3 cm) (show scale)
Gift of the Egypt Exploration Fund
Blue. With separate wings.
Scarab in blue glazed faience, with separate wings, the details of the latter carefully marked with primary and secondary feathering, and attached with modern string. The scarab is pierced top and bottom and on both sides for the attachment of the wings. Back: clypeus notched, plate (hatched), head and eyes marked. A single line between the elytra, descending to the base, a single line between the prothorax and elytra. The elytra are striated. Side: legs molded in bold relief, all feathered. The tip of each of the wings is pierced.
Winged Scarab, 664-332 B.C.E. Faience, 1/2 x 1 1/16 x 1 5/16 in. (1.2 x 2.7 x 3.3 cm). Brooklyn Museum, Gift of the Egypt Exploration Fund, 15.523. Creative Commons-BY (Photo: Brooklyn Museum, CUR.x249.42_wwgA-3.jpg)
installation, West Wing gallery A-3 installation, CUR.x249.42_wwgA-3.jpg
. Brooklyn Museum photograph, 2009
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